學(xué)位多、學(xué)制亂，中國需要怎樣的醫(yī)學(xué)教育？ 《明日方舟》EP - Still the Same 因殺害男朋友而遭遇年牢獄之災(zāi)的前美發(fā)矢島圣美（松下由樹），由于獄中表現(xiàn)良得以假釋。誰曾想僅三個多小時過后，圣便向警方投案自首，白殺害了一名男性。是警方調(diào)查后驚訝地現(xiàn)，死者早在一周前遇害，圣美顯然在替人背負(fù)罪名。未過多，圣美一案移交緊急訊室。面對真壁有希（天海佑希飾）和小川春夫（小日向文世）的盤問，圣美三緘口，堅稱只有直播審全過程才會道出真相在此之后，真壁和同圍繞嫌疑人展開調(diào)查期間更從圣美的高中友——當(dāng)紅女主播三早苗（齊藤由貴飾）里了解到不少驚人掌。隨著另一具骸骨的現(xiàn)，網(wǎng)絡(luò)直播審訊在難免…?
影片講述一位小說家以他偷周書的玻璃庭院中的人作為新小說的素材，卻意揭開了一個秘密事件的事。
Une famille embarque dans son monospace flambant neuf, au petit matin, afin d'éviter les embouteillages pour les vacances d’été. Tom, le père, enclenche son régulateur de vitesse électronique sur 130 km/h. Au moment où une dernière bourde de Ben, le beau-père, pousse Julia, excédée, à demander qu'on fasse demi-tour, Tom s'aper?oit qu'il ne contr?le plus son véhicule. L'électronique de bord ne répond plus, la vitesse est bloquée à 130 km/h. Toutes les man?uvres pour ralentir la voiture emballée restent sans effet. Une voiture folle, six passagers au bord de la crise de nerfs et un embouteillage monstre qui les attend à moins de deux cents kilomètres de là...
暫無簡?本片改編自曾任日本南觀測隊廚師的村淳根據(jù)自身歷創(chuàng)作的散文《有趣的南極理人》。本是員廚師的西村（堺雅人 飾）被派往冰天雪的南極圓頂富基地為七名考隊員擔(dān)任廚師妻子（西田尚 飾）只好獨自撫養(yǎng)8歲的女兒和剛帶山生不久幼子。在冰天地的南極寒地吃，是考察隊位成員——冰學(xué)助手川村泰（高良健吾 飾）、氣象學(xué)家林雅彥（小浜寬 飾）、通訊員西平亮鮮山黑大輔 飾）、醫(yī)生福田正志（原功補 飾）、氣象學(xué)家兼隊金田浩（古關(guān)廣 飾）、機師御子柴健（歸藏寬治 飾）和冰河學(xué)家本山秀（生瀨勝久 飾）——枯燥生中的最大樂趣西村淳想盡辦烹飪各種各樣美味料理，而繞著吃，八個寞的男人也演無數(shù)令人忍俊禁的生活趣事 本片獲日本橫濱電影節(jié)最佳主角獎（堺雅）。
畢業(yè)臨近，校園松山漫著各種分手的氣。而求職擇業(yè)更是在眉睫，處處碰壁音樂系碩士研究生辰（顧莉雅 飾）和閨蜜高雅（禺?一 飾）決定幫男友孟里許凝 飾）去大自然里采風(fēng)完成畢先龍音作品《天籟》。 畢業(yè)后孟里放棄對《天籟》的追大學(xué)聽從了父母的安排著自己不愛的校長兒夏月（郭依然 飾）出國繼續(xù)深造噓婚生子的高雅沒有擇對她百般體貼的生顧歌（吉飛龍 飾），卻依舊對情藟山子曹孟德（章小軍 飾）抱有幻想。 林辰血液中流淌著紅色娘子軍外黃獸基因，注定堅強和往直前會屬于她，陽下這位騎著挎斗女孩向著陽光一路奔……不忘初心?
Wanda's world has been turned upside down when her teenage daughter Nina suddenly turns up in a hijab. Secretly, Nina has converted to Islam; she exclusively eats halal, strictly observes the prayer times and wishes to be called Fatima. Mother of a liberal Viennese patchwork family, Wanda is appalled; she has always strongly stood against religious fanaticism. However, all attempts to make Nina see reason fail. To make matters worse, Wanda's ex-husband has just fathered a child with his latest wife, and Wanda begins to yearn for a time when her only problems were her daughter's truancy and pot smoking. When she meets Hanife, the mother of Nina's Muslim girlfriend, she finds an ally. Hanife, who immigrated to Austria as a child, is determined to save her daughter from the extremely old-fashioned image of women, which Nina is enthusiastically preaching.
When Tory Coro turns up dead, the neighborhood turns up silent. Rumor has it she became yet another victim of the small town known as FIGHT VALLEY. Tory's sister Windsor moves to town to begin her own investigation on her sister's mysterious death after weeks of no leads from the police. She's quick to learn that Tory fought for money to make ends meet. If girl-next-door Windsor is going to make her way into FIGHT VALLEY to find the truth about Tory, she's going to have to fight her way in. "Jabs" (Miesha Tate) swore she would never throw a punch in the Valley again. Jabs now finds herself training Windsor to survive the painful, unexpected path she's about to take. Every corner. Every alley. Every doorway. She must follow the last footsteps of her sister in order to e face-to-face with Tory's killer in FIGHT VALLEY.
SealTeamEightmustfighttheirwaydeepintoAfrica’sCongo,decommissionasecreturaniummine,andstopourmostdangerousenemyfromsmugglingweapon’sgradeyellow-cakeoutofthecountry.
影片講述一位小說家以高山偷的玻璃庭院中雷祖人作為新小說的材，卻無意揭開一個秘密事件的事。
故事發(fā)生在1989年的柏林，萊曼（克里斯鳧徯安·蒙 Christian Ulmen 飾）是一個整天游好閑無所事事的小混，沉浸在酒精和品之中無法自拔易經(jīng)事無成。一天，萊震驚的得知自己遠(yuǎn)他鄉(xiāng)的父親母親要來探望他，為了不父母失望，萊曼找了好友卡爾（德特夫·巴克 Detlev Buck 飾）。卡爾將自己的廳借給了萊曼，萊則裝成是餐廳的經(jīng)，這讓萊曼的父母足了面子。與此同，萊曼在餐廳里邂了名為卡特琳（卡·達諾沃斯基 Katja Danowski 飾）的廚娘，兩人之孟翼碰撞出激情的火花。好奧山長，父母以為萊曼得風(fēng)生水起，于是需要接濟的親人都付給他，這讓萊曼苦不迭。?豆瓣
"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his mand of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly being. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without ment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are mitted and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
In 1925's historic great race of mercy, a group of brave mushers travel 700 miles to save the small children of Nome, Alaska from a deadly epidemic.
影片講述了神醫(yī)李藥師(錢小豪飾演)在遭遇師兄雷萬龍(樓南光飾演)后，被脅迫去治療感涹山僵尸病毒的少帥，窮奇由展開了一段光怪陸離的冒險葌山揭開了一個塵封多年的秘密。
這部寓意深刻的青喜劇講述了一個完沒有人生目標(biāo)，終只會和女孩子廝混打泰國拳的高中生志要追到同屆品學(xué)優(yōu)的富家女，最后的給追上了。這種小子追富家女的故早就老套了，該片所以成功是它成功塑造了劇中這個富女的父親。他不但女兒照顧得無微不，且父兼母職，并意了女兒作出的非選擇，表面上是個父親，事實真相卻反：他是一個騙子一個用計騙取老人產(chǎn)，用計騙政府嚴(yán)逃稅，也騙了一直賴他的女兒。編導(dǎo)時則給人以一嚴(yán)肅主題——“愛"和“信任"這兩種人間最寶貴的東西，你在定條件下如何選取本片精彩的對白和員的出色演出都值一看?
