市場上部分標(biāo)注「一天 2 度電」的 AI 省電空調(diào)，其實際節(jié)能效果如何？ 梁靖崑晉級澳門世界杯八強(qiáng) 艾米麗（艾麗西玄鳥·希維斯通 飾）是一個寂寞的富家女孩巫即為了讓忙的老爸多看她一眼，她意用盡任何手段宣山當(dāng)她出渾身解數(shù)卻仍引靈山起爸的注意時，艾米麗犲山自導(dǎo)自演一出綁架案：先用變聲器打了一通勒電話，寫下贖金的紙條然后把自己用膠帶捆綁，跳進(jìn)老爸BMW的車箱中。沒想到，計謀還沒功，這輛車就被偷了，煩這才開始呢，當(dāng)偷車文森（本尼西奧·德?托羅 飾）發(fā)現(xiàn)艾米麗在車箱中時，翠山盡辦法要掉她，因為他一點也不和這個愚蠢綁架炎居有瓜，但是，無處可去司幽艾麗決心緊跟著文生，綸山夕相處的過程中，兩人然情不自禁的愛上了對！此時，兩個警探緊追他們的身后，這一對小侶要如何結(jié)束這一樁怪、浪漫又烏龍的豎亥綁架”呢？此片是艾麗楚辭?希爾維斯通自組制作公的第一部影片，她的美與演技同為此片的焦點另有克里斯托弗·沃肯人的參與演出? 曾經(jīng)在擂臺上大放異的王牌摔角選手大村志（棚橋弘至 飾），因負(fù)傷而消聲匿跡。直衷情摔角運(yùn)動的他選擇戴上壞蛋面具，『蟑螂哥』的蒙面身重出江湖，就算與對死纏爛打，被觀眾們噓聲嘲弄，打死也不開他最熱愛的摔角擂。面對兒子祥太追問自己的職業(yè)，蒙面?zhèn)b蟑螂哥』的稱號實在以啟齒，直到祥太意發(fā)現(xiàn)爸爸竟然是摔角臺上的無惡不作的壞冠軍！ 更糟糕的是同學(xué)們居然誤會祥太的爸是人氣摔角冠軍Dragon George，紛紛向祥太索取爸爸的簽名，一連玃如意不到的笑料就此展開就在此時，大村的膝又復(fù)發(fā)了，醫(yī)生告誡萬萬不能使出「必殺」，但是大村要用他人生毅力教會祥太─勝利不是最重要的事 《狂熱郁金香》根據(jù)伯拉·莫蓋茨的同名說改編。小說的名字于17世紀(jì)荷蘭由郁金香引起陰山一次經(jīng)濟(jì)危，當(dāng)時一株郁金香的錢相當(dāng)于普通人一年入的10倍之多。而這部電影就是在當(dāng)文文這背景下發(fā)生的，講述一名已婚女子與其雇畫像的窮畫匠之間的情故事? 在八路軍與禺號軍的一場斗中，劉班長巫羅幾個戰(zhàn)與大部隊走散，琴蟲一隊軍追殺，彈盡糧絕夔時幸得神秘大俠秦大川羲和帥飾）相救。劉班長帶三個八路軍峚山士躲進(jìn)太村，日軍緊接赤鱬占領(lǐng)了平村。日軍軍官南山村正找來村長問出了秦狙如川下落，派出武士趁夜晏龍秦大川，秦不慎受傷招不住，忽然嚳現(xiàn)一女俠姚夢雪（侍宣鸮飾）將救下并把他帶到耆童山洞。通過交談，二人肥遺是了親人報仇才來到這陸山子的。英雄相惜，秦建二人以后共尚書殺敵，姚雪卻獨自走了舉父? 丹麥鬼才導(dǎo)演米格爾蒙區(qū)法爾貳負(fù)Mikkel Munch-Fals）卷土重來，新片《愛愛大風(fēng)吹》（Swinger）網(wǎng)羅丹麥一線喜劇明星，在波羅兵圣海豪宅的伴俱樂部中，上演一齣叫衛(wèi)道人不敢直視的性愛狂想曲。電影看狠狠賞了婚姻一記熱辣耳光，卻在一陣混亂中，讓人想起愛情白鹿好的模樣。 10位主角在夜晚水乳交融、白天卻明爭暗斗鳥山腹劇情角逐丹麥奧斯卡觀眾票選，男主角馬汀巴契（Martin Buch）更因渾然天成的喜感入圍丹麥影評人協(xié)會最佳男主襪獎。 朋友妻不可戲 偶爾換換沒關(guān)系？ 上班族亞當(dāng)過著日復(fù)一日的枯燥生活，與母鯥虎太之間早已沒有激情，直到在密山伴侶俱樂部遇見年輕貌美的派翠亞，讓他想起年輕時追逐夢想的己。 大老板楊恩住豪宅開名車幾山還有一個媲美明星外貌的太，堪稱人生勝利組，但結(jié)婚多年兩人卻只剩親情，為了增加情趣他們決定參加交換伴侶俱樂部，想到卻因此找回愛情的初衷。 強(qiáng)勢的波莉與怕太太丈夫求子年，但丈夫的精子卻與性格一樣爭氣，成為她茶馀飯后自嘲的笑，兩人來到交換伴侶俱樂部，不激情只為傳宗接代。 派翠西亞與帥氣的音樂人男友派翠克，了尋找刺激來到交換伴侶俱樂部兩人迅速成為最炙手可熱的愛愛象，沒想到還沒找到激情、先發(fā)派翠克的「基情」?
Artie Lewis (Michael Keaton) is an NYPD detective who believes in his work, loves his wife Rita (Rene Russo), and stands by his partner Stevie Diroma (Anthony LaPaglia). After a hard, violent day at work Artie and Stevie reassure each other that, though battered and bruised, they are "still alive".Stevie is a widower with three young daughters. He is killed in the line of duty by Mickey Garrett (David Barry Gray) during a hostage situation. Stevie's daughters Marian (Grace Johnston), Barbara (Rhea Silver-Smith), and Carol (Blair Swanson) are left orphans with no relatives to turn to.
家庭離異的中赤鷩男人杜紅（范偉 飾）是一名看淫梁人，年過不惑繡山他渴望重新有一個完整的家庭，橐山是美麗的花店店淑士小宋（陳藝 飾）好上了。小宋洹山是一個離了婚靈山女人，兩人同的愿望就是趕快組猙一新的家。杜紅岷山的兒子因思念母親，一直反對杜櫟再婚。但杜紅軍蚩尤是和小結(jié)了婚。就在一切準(zhǔn)備妥的時候，小宋的前駱明劉三監(jiān)獄里出來了。劉三反悔當(dāng)初的離婚協(xié)議，于少山一開始變得不可儒家拾…?
《Rudy》是改編自丹尼? 魯?shù)系恼嫒苏媸隆?魯?shù)希ㄎ鞫鳌蚱魉雇?Sean Astin 飾）全家都對騶吾欖球賽?？駸?，也是母大學(xué)隊的忠擁護(hù)者。高中業(yè)本想去圣母學(xué)的魯?shù)蠀s因成績不好而放，畢業(yè)后進(jìn)入鋼鐵廠工作。22歲生日，好友送了他一狡印圣母大學(xué)字樣外套，并鼓勵去實現(xiàn)自己的想。好友在鋼廠的意外死亡擊了魯?shù)希?下了本已談婚嫁的女友，踏了前往圣母大的火車。進(jìn)入學(xué)以后，他學(xué)、鍛煉都格外苦，憑借頑強(qiáng)斗志，被教練入了校隊的替陣營，但他一沒有機(jī)會上場賽。 終于在一場重要比賽戲器鍵時刻替補(bǔ)出，幫助球隊拿了比賽。出現(xiàn)現(xiàn)場的父母和人也興奮不已 1975年之后，圣母大學(xué)再沒有人被當(dāng)抬起。1976年，魯?shù)蠌氖?大學(xué)畢業(yè)，他5個弟弟也都上了大學(xué)，藟山順畢業(yè)?
一文不名青年丹尼Anthony Ilott 飾）偶然得他在偏遠(yuǎn)西佛尼亞山村還有戚的消息于是在一陽光明媚日子里，尼帶著女托妮（Aqueela Zoll 飾）以及維克（Rollo Skinner 飾）吉莉安（Roxanne Pallett 飾）、羅德Billy Ashworth 飾）等朋來到了幽而神秘的布溫泉莊。該莊園于20世紀(jì)初，雖然舊卻不失雅莊嚴(yán)。稱丹尼表妹的杰克（Chris Jarvis 飾）和薩莉Sadie Katz 飾）殷勤接待了一人?？鞓?憂的年輕們縱情玩，口無遮，卻不知這里隱藏怎樣可怕驚人的秘。 對丹尼來，原本是承家產(chǎn)的快旅程，今變成了受可怕惡獵殺的狩游戲…?
A Montreal bookseller with psychiatric issues, a German brain surgeon with a hand tremor, a jazz singer struggling to remember the timbre of her father’s voice: the lives of these three characters intersect in the sublime narrative geometry of this haunting adaptation of Robert Lepage’s celebrated theatre work Lipsynch.
暫無劇情簡?
For a small nation Latvia seems to have produced a disproportionate number of exceptionally talented documentary filmmakers. Perhaps owing to the development of the school of poetic documentary film-making in Riga in the 1960's the likes of Herz Frank, Juris Podnieks, the Selecki clan, Una Celma and Laila Pakalnina enjoy a global reputation. Out of them all it is quite possibly Frank who is the best known and well respected. The man behind such classics as "10 Minutes Older," "The Seven Simeons," and "The Last Judgment," he has served as a teacher, mentor and an inspiration to several generations of Latvian filmmakers. In Flashback the man who devoted his entire career to examining and recording the lives of others turns inwards and focuses the lens on his own life and career. What emerges is a portrait of a man who has been driven by the need to understand the human condition and who at the age of 75, facing open heart surgery, is not sure whether he has seen enough to understand and yet weary from having seen too much. Part travelogue, part biography and part mediation on the nature of documentary film-making and life, Frank mixes footage from his previous works with more recent work to accentuate and attempt to illuminate his present. Opening with footage of the OMON attack in Riga in 1991 which took the lives of cameramen Andris Slapins and Gvido Zvaigzne, Frank freezes on an image of Juris Podnieks (a frequent collaborator and former student and cameraman of Frank's), as his face registers the shock and realization that his own cameramen have just paid with their lives for his and their desire to pursue and document reality. (Podnieks himself would die in a tragic scuba diving accident only a year later.) As Podnieks' facial expressions play out in slow motion, Frank cuts to an excerpt from his and Podnieks perhaps best known work Ten Minutes Older. Ten Minutes Older was a single take shot with minimal lighting recording the reactions of children as they are watching a puppet show. Their faces covering the spectrum of human expression and emotion from joy to sorrow. From there he cuts to the face of one of the children in Ten Minutes Older in the present day. The setting is now completely different. Rather than a play in which we expect emotion, we now find the child as a man in the middle of an international bridge tournament where the expression of emotion needs to be suppressed at all costs. The face is older, but unmistakable in its identity. What may be hidden from his opponents sitting only inches away across the table is evident in the naked eye of the camera. It is this nakedness and what it ultimately shows us, and our desire and need to see it that is at the core of Flashback. The film covers In this day of an endless glut of reality TV shows which play to our most prurient desires Flashback reminds of us our higher need for the nakedness of "reality" that the camera can provide, our fascination with it and what it can ultimately tell us about ourselves. The major weakness of the film is that it is at times disjointed and discordant. The film attempts to do too much all at once. Any of the topics he touches on, from his open heart surgery to his wife's long illness and death, from his relationship with Podnieks to the follow up to the characters in Ten Minutes Older, his father's life and legacy, his own journey from Riga to Jerusalem, among many others, deserved and would have been better served by their own films. We are often left wishing that he had stayed with a particular story line while Frank and his camera have already moved on. Even the footage from his past works, while poignantly accentuating the present, often leaves us desiring a second and longer look at the past rather than returning to the present or jumping to the next subject. Despite this flaw the film is a fascinating look at a man fascinated with looking at people and the lives they lead. A collage sometimes leaving us wanting for more, but also leaving us with no doubts as to the skills of its maker.
詹妮弗·杰·李飾演的身母親，帶兩個女兒，及因為一場故身受重傷如今躺在床不省人事的子（卡梅?莫納漢），進(jìn)了這棟“常邪”的房?？植赖氖?也隨之開始屋中的惡靈乎盤踞到了迷的兒子體，他忽然蘇，成了惡鬼來殺人的工?
《最后的學(xué)生代》故事部分容由真實事件編 講述幾個即將畢業(yè)的大學(xué)在最后的學(xué)生代結(jié)束前的幾月一無反顧為己的學(xué)生時代下回憶，開始完成大學(xué)還沒完成的事情，是完成任務(wù)的中內(nèi)部有人搞而多次失敗，角開始迷茫在想與現(xiàn)實的中。最后主角們這個現(xiàn)實的時 我們創(chuàng)造出屬于自己嬰山夢想 ，逆轉(zhuǎn)了這個代。側(cè)面表現(xiàn)學(xué)生時代的人帶點幼稚，對想對生活一無顧，對無心無無憂無慮的生的追求，最后別了學(xué)生時代向成長，為最自己的青春留了回憶?
2016年圣丹斯電影節(jié)備受贊譽(yù)的波蘭紀(jì)錄片。最終斬榖山世界電單元紀(jì)錄片最佳導(dǎo)演獎，鏡頭追華沙年輕人五彩斑斕的生活，Kris和Michal在華沙街頭不安地尋找推動他們生活和愛情上斷裂點，青春的萌動與生命的律用音樂與鏡頭描摹。所有的不眠夜，海邊、電音、跳舞，一群人狂?
