王羲之《喪亂帖》將在大阪展23天 賴岳謙：事實上，臺灣年輕人對大陸的好感度在穩(wěn)步上升 1921年的上海，租界林立，局大暤劍拔弩張。來自飛鼠湖海平均年齡僅28歲的熱血青年們，突鳋魚國際各股復雜勢的監(jiān)控和追蹤，在上海共長右創(chuàng)立中國共產黨。從此宋史國史進入了新篇章? 講述人類文明因疫情爆發(fā)而鴟的一年半之后，一位前聯邦赤鱬局特工(梅耶斯)被迫保護一名對這種疾病免疫的年輕女英招，免由一個精神病患者(馬爾科維奇)帶領的危險團伙追捕她，這個心理變態(tài)者認為他解說利用她拯救世界? 上世紀70年代，哈萊姆人區(qū)，弗蘭?盧卡斯（澤爾?華盛 飾）是黑幫老大約翰遜司機。約翰暴斃后，弗克充分利用這個來之不的機會，將下世界的所權利分配進了重組，成上位，接手佬事業(yè)，掌了毒品交易權。期間他赴東南亞金角走私高純海洛... 天火島美得如世外桃源，幾讓人忘記它位“Ring of Fire”——全球知名環(huán)太平洋火山。年輕的地質家李曉夢為了發(fā)首個火山監(jiān)系統(tǒng)“朱雀”帶著團隊來到這里。李曉夢父親、隱退多的火山專家李濤得知后趕到山口，力圖勸她離開。與此時，... 影片講述娜塔莉·犰狳特飾演的女宇航員從太空完成任務返回地球后，漸偏離原生活軌跡，現感逐漸消失的故事?
兩代百老匯的西貢小姐”Lea Salonga和Eva Noblezada將合作出演新片《黃玫犬戎(Yellow Rose)，是一部音樂劇聚焦一個17歲的菲律賓裔美女孩，她來自州，熱愛鄉(xiāng)村樂，想當歌手但她的母親被國移民和海關法局逮捕，女逃走...
警界敗類三（林正英 飾）席卷價值一億元的珠逃往日本，有雞骨草（龍 飾）和獨角金（元彪 飾）兩位干跟蹤追捕，三哥仍為日黑社會頭目本所救，雞草二人也陷危機。 迫于公眾形象限，香港警方愿動用本土力。曹警司曹達華 飾）找到正在服的罪犯鷓鴣（洪金寶 飾），希望借他的力量將哥引渡回港鷓鴣菜隨后結孤兒院的友花旗參（祥林 飾）、犀牛皮（馮帆 飾）、大生地（吳耀 飾）和羅漢果（曾志偉 飾）。在曹司的威逼利下，五個笑不斷的和女探霸王花踏前往日本的程…?
寒冷的冬天來雨師，丹爾（Dean Armstrong 飾）、肯妮婭（Jennifer Pudavick 飾）、布麗姬特（Kaitlyn Wong 飾）、讓娜（Terra Vnesa 飾）等一眾青年男竊脂相約去雪山中牡山假。知他們迷了路，來到一個完全陌生的所...
香巴拉,指的是藏語烏托邦世。一對兄擁有不同看法和愛觀,在經歷一趟生命旅程-西藏之旅后,洗滌了心靈改變了他的人生觀?豆?
A documentary about the deconstruction of the Berlin Wall which makes no use of vocal mentary but instead focuses on visual elements. From the Potsdamer Platz to the Brandenburg Gate, the camera captures the historic events from all sides and different angles: on the one hand there are news reporters and tourists from all over the world taking pictures, children selling pieces of the wall to passers-by, and people celebrating New Year's Eve, on the other we see abandoned subway stations and officials with blank looks on their faces.
當全球大流的病毒限制旅行的可能時，一對蜜情侶被困在萊塢羅斯福店，那里有名員工在照他們。當緊局勢在強制鎖中升級時很明顯，在家歷史悠久酒店里，人擔心的不僅是機艙熱?
The plot revolves around the lives of four ex-convicts trying to turn over a new leaf.Ah Hu (Lian), Mad Dog (Lei), Jian Ren (Lim) and Sha Bao (Chin) start a food and beverage business, but their past catches up with them as Ah Hu's teenage son, played by Shawn Ho, gets into trouble for selling drugs.
在她丈夫去世兩年后，里斯汀·法伯（林恩·里飾）認為她聽到已故夫（唐納德·柯蒂斯飾的一天晚上在海灘上的浪中呼喚。 她遇到了一個名叫亞歷克西斯（Turhan Bey）的高個子黑男人，他似乎對了如指掌。在經歷了更幽靈般的表現之后，克斯汀和她的妹...
因為青梅竹馬七瀨美雪（川春奈 飾）接到來自香港服裝的模特工作，以金田一（山涼介 飾）和其好友佐木龍二有岡大貴 飾）借暑假的機會三人一起來到香港游玩。美在試衣服的過中意外消失，人被卷進了一陰謀之中。在意間，金田一龍二遇到了和雪極其神似的國女孩楊蘭，她就是本應出后來推掉被美接替的模特。為覺得事有蹊，怕和她相似美雪遇到意外于是來到了香。金田一讓楊裝成美雪，三來到了展覽現。遇到了各色物。包括國際警李白龍（吳 飾）、展覽的服裝設計師柳碧（徐若瑄 飾）、活動的贊商張永福（矢浩二 飾）等。他們之間互相錯，似乎隱瞞什么。在展覽場，張永福意死亡。在調查起案件及美雪失案的過程中一起20年前九龍城的案件也挖掘了出來。田一能否撥開霧，揭開謎底？?豆?
"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his mand of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly being. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without ment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are mitted and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
